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Showing posts with label final overview. Show all posts
Showing posts with label final overview. Show all posts

Thursday, March 3, 2016

Final Overview: The House of the Seven Gables & Cat On a Hot Tin Roof




     Reading through these two very different masterpieces has been a significant point in my journey through literature. Both have left deep impressions on my beauty-appreciative soul. Both essential meaning and the true commotion of life is brought to life through the wise lenses of these two very different authors. Nathaniel Hawthorne's The House of the Seven Gables explores the effects of previous ancestors on the current generation and the generation's superstitious gossip. Tennessee Williams' Cat On a Hot Tin Roof touches upon the taboo ideas of tender marital issues, homosexuality, impending death, and the reality of inheritance. Both literary works, though miles different in style, have a lot to do with the idea of inheritance and one's effect on the future generation. One could say that this step in my literary journey was an overall preparation for the future and the future generations to come.
     Hawthornes' House of Seven Gables personifies the effect of a previous generation's gossip in such grave detail through delicate, stylish language. When I encountered this piece of work, I became immediately excited and intimidated by the complicated use of language throughout and the metaphorical bombs of wisdom dropped on the reader throughout the novel. This novel wasn't just a challenging piece of work, but an experience. The novel has broadened my horizon of language and fallen right into my line of wisdom. Hawthorne teaches a grand lesson about how what one person says can greatly effect the next generation to come. In this novel's case, those age-old words crafted a sort of "house" of superstition and decay. In his words, "A man will commit almost any wrong—he will heap up an immense pile of wickedness, as hard as granite, . . . only to build a great, gloomy, dark-chambered mansion, for himself to die in, and for his posterity to be miserable in" (269). The gossip and superstitions one creates will leave a dark, lasting impression on the future to come. It crafts a dark undertone that ensures everyone will keep away.
     Where Hawthorne's magnificent novel focuses on the words and rumors surrounding the future generation, Williams' Cat On a Hot Tin Roof focuses more on the insurance of a future generation, accompanying the major idea of having the taboo brought to light. Williams' compelling play may be a speedy read, but it contains some of the most heavy subject matter ever established in another play. The spirit of commotion that Williams tried to capture in his play was the chaos of having one's most taboo secrets brought to light. Not many playwrights attempt to construct a play on a sole, abstract idea, but Williams achieves the true, unstable emotion of being caught in a bad lie very well. However, like Hawthorne, Tennessee Williams also crafts inheritance into the play as an idea. The play focuses more on making sure the next generation is preserved along with marital traditions. As said in the play, marriage falls on the rocks in the bedroom.
     Nathaniel Hawthorne and Tennessee Williams are both fantastic authors, capturing heavy subjects and abstract ideas in very different ways. These literary marvels have helped broaden my range in both elegant language and comprehending the spirit of an utterly abstract emotion. These are truly meaningful literary masterpieces.

Word Count: 500 (minus passage citations)

Monday, November 23, 2015

Final Overview: One Flew Over the Cuckoo's Nest



     One Flew Over the Cuckoo's Nest by Ken Kesey is an amazing novel, standing above the rest for its time and even today. In reading the novel, so much verisimilitude and meaning was revealed through a compelling story with all characters being fairly dynamic in each's own way. For intense readers, the novel serves as a pleasant treat with well-crafted language and a heavy mind behind it. For casual or novice readers, the novel serves as an outstanding piece paling in comparison to most books said reader has read in his or her lifetime. One Flew Over the Cuckoo's Nest has received loads of recognition throughout the years, including an Academy Award-winning film being made of the novel and the novel's recognition in the prestigious AP Literature exam.
     The novel left quite a lasting impression on me as I went about reading it. The novel definitely belongs in the canon of books with the most literary merit, as it hints at important themes in a vivid, intelligent way. One of the things that impressed me the most is the novel's focus on the idea of thought control. A prevalent theme in the text is how it takes one to rule the masses with fear, but it takes one better to actually lead the masses. Throughout the novel, Randall McMurphy and Nurse Ratched battle between control of the patients in the asylum, but only McMurphy leaves a lasting impression that causes the patients to fearlessly think for themselves. The novel basically feels like an allegorical battle between thought manipulation and mental liberation. The Head Nurse leads the patients to think a certain way, but McMurphy proves to them that the system can actually be challenged. Evidence of this is present even early on in the text when all-knowing Chief Bromden observes that McMurphy had "shown us what a little bravado and courage could accomplish, and we'd thought he taught us how to use it (227)." One other thing I also enjoyed in reading this novel is the power of the vivid, descriptive language the author uses to set the tone for each scene. Kesey uses vivid language to set the tone for each scene, from describing the nightmarish "special" shower (258) to setting the tone for the monotony of the asylums' "mechanism" (170). The biggest treat aside from the actual story in the novel is Kesey's brilliant use of language to convey his meaning. 
     The film based on the novel is also just as much a treat. Though the two pieces seem like entirely different entities altogether, each has its own set of ideas to focus on. In transition from the novel to the screen, a lot is lost, such as the Chief's powerful narration and some of the more riskier elements presented through the text. However, clarification is gained in certain other aspects of the source. Irony's role is made clearer, as it becomes more obvious the ones actually "committed" to the asylum tend to be the most sane. Also clarified and less two-dimensional would be the transition from controlled to free thought, as signified through the rebellion of the patients against the Nurse. 
     One Flew Over the Cuckoo's Nest remains as true a novel as it is a film. The composition altogether is an intelligent and challenging look at the question of mental illness and thought control. The book, as well as the film, has reserved its place in my favorites.